It devastated some of the Mexican Gulf costal areas. Among the most hit, New Orleans. Eighty percent of the city is under water (see pictures, streets that are dark are under water) mainly because the average elevation of the city is below sea level (some say the city is a bowl). I saw the video of a car sinking into the moving flow of flood water, and the camera crew ran to rescue the driver inside. Another story is a man who lost his wife (probably dead) to the flood water after holding on to her hand for as long as he could. And the last words he heard from her was 'You can't hold on to me...take care of the kids.' Two school-age boys were standing behind the man, looking lost. I suppose there would be thousands of heartbroken stories that have yet to be reported. The death roll of the catastorphy is feared to be into the thousands. Now the problem at the hands of the authorities is how to get the water out of the bowl.
My Child…
You may not know me, but I know everything about you
…Psalm 139:1
I know when you sit down and when you rise up
…Psalm 139:2
I am familiar with all your ways
…Psalm 139:3
Even the very hairs on your head are numbered
…Matthew 10:29-31
For you were made in my image
…Genesis 1:27
In me you live and move and have your being
…Acts 17:28
For you are my offspring
…Acts 17:28
I knew you even before you were conceived
…Jeremiah 1:4-5
I chose you when I planned creation
…Ephesians 1:11-12
You were not a mistake, for all your days are written in my book
…Psalm 139:15-16
I determined the exact time of your birth and where you would live
…Acts 17:26
You are fearfully and wonderfully made
…Psalm 139:14
I knit you together in your mother's womb
…Psalm 139:13
And brought you forth on the day you were born
…Psalm 71:6
I have been misrepresented by those who don't know me
…John 8:41-44
I am not distant and angry, but am the complete expression of love
…1 John 4:16
And it is my desire to lavish my love on you
…1 John 3:1
Simply because you are my child and I am your Father
…1 John 3:1
I offer you more than your earthly father ever could
…Matthew 7:11
For I am the perfect father
…Matthew 5:48
Every good gift that you receive comes from my hand
…James 1:17
For I am your provider and I meet all your needs
…Matthew 6:31-33
My plan for your future has always been filled with hope
…Jeremiah 29:11
Because I love you with an everlasting love
…Jeremiah 31:3
My thoughts toward you are countless as the sand on the seashore
...Psalms 139:17-18
And I rejoice over you with singing
…Zephaniah 3:17
I will never stop doing good to you
…Jeremiah 32:40
For you are my treasured possession
…Exodus 19:5
I desire to establish you with all my heart and all my soul
…Jeremiah 32:41
And I want to show you great and marvelous things
…Jeremiah 33:3
If you seek me with all your heart, you will find me
…Deuteronomy 4:29
Delight in me and I will give you the desires of your heart
…Psalm 37:4
For it is I who gave you those desires
…Philippians 2:13
I am able to do more for you than you could possibly imagine
…Ephesians 3:20
For I am your greatest encourager
…2 Thessalonians 2:16-17
I am also the Father who comforts you in all your troubles
…2 Corinthians 1:3-4
When you are brokenhearted, I am close to you
…Psalm 34:18
As a shepherd carries a lamb, I have carried you close to my heart
…Isaiah 40:11
One day I will wipe away every tear from your eyes
…Revelation 21:3-4
And I'll take away all the pain you have suffered on this earth
…Revelation 21:3-4
I am your Father, and I love you even as I love my son, Jesus
…John 17:23
For in Jesus, my love for you is revealed
…John 17:26
He is the exact representation of my being
…Hebrews 1:3
He came to demonstrate that I am for you, not against you
…Romans 8:31
And to tell you that I am not counting your sins
…2 Corinthians 5:18-19
Jesus died so that you and I could be reconciled
…2 Corinthians 5:18-19
His death was the ultimate expression of my love for you
…1 John 4:10
I gave up everything I loved that I might gain your love
…Romans 8:31-32
If you receive the gift of my son Jesus, you receive me
…1 John 2:23
And nothing will ever separate you from my love again
…Romans 8:38-39
Come home and I'll throw the biggest party heaven has ever seen
…Luke 15:7
I have always been Father, and will always be Father
…Ephesians 3:14-15
My question is…Will you be my child?
…John 1:12-13
I am waiting for you
…Luke 15:11-32
Alan Ladd, Jr. (who at the time was the head of Twentieth Century Fox) saw a smuggled print of American Grafitti before it was released in theaters and absolutely loved the film. Ladd was determined that Fox was going to be the next studio to profit from Lucas' genius.
1975 -- George Lucas conceives of and writes the basic story of Anakin Skywalker's rise, fall and ultimate redemption. This story becomes too large for one film and Lucas divides the story into two trilogies. The first trilogy focuses on the life of a young Anakin Skywalker while the second trilogy focuses on the life of Anakin's son, Luke Skywalker. Lucas chooses to make the second trilogy first since it appears to be the most exciting one to film at the time.
Lucas offers his Star Wars films first to Universal Studios, the film company that financed American Grafitti. Universal passed on Star Wars because they considered it to be an unfathomable and silly movie idea. This decision ended up costing Universal hundreds of millions of dollars. Every single studio in Hollywood passed on the project except for 20th Century Fox. Fox gave Lucas $ 10 million to make what is perhaps the most influential film in the history of cinema. Fox released Star Wars Episode 4: A New Hope in May 1977.
On May 20, 1977 Variety set the tone by stating: "Star Wars is a magnificant film. George Lucas set out to make the biggest possible adventure-fantasy out of his memories of serials and older action epics, and he has succeeded brilliantly. What Lucas lacks in originality is more than made up by enthralling special effects." Star Wars' opening day totaled $ 254,309 from just 32 theaters. By the end of its first theatrical run, Star Wars was the most successful film in North American history with a gross in excess of $ 290 million. Lucas' cut from the box office was more than $ 50 million. Alec Guinness negotiated for 2.5% of net profits, which eventually earned the actor over $ 6 million.
When Lucas negotiated his deal with Fox to make Star Wars, the studio was shocked to learn that the hot director was not asking for a lot of money. Instead, Lucas wanted control. He wanted to have the right to the final cut of the film, 40% of the net box-office gross, all rights to future sequels and ownership of all the merchandising rights associated with Star Wars. At the time, science fiction films were not very profitable. Hence, Fox thought they were ripping Lucas off. Sequel and merchandise rights to science fiction films were worthless at the time. In the end, this deal would eventually make Lucas a billionaire and cost Fox an untold fortune in lost revenues.
1983 -- Return of the Jedi premieres in theaters in May 1983 and grosses over $ 265 million at North American cinemas. After the release of Return of the Jedi, Lucas retires from making Star Wars movies to pursue other projects. Lucas vaguely promises to make a Prequel Trilogy one day when special-effects technology advances enough and becomes cheap enough so that Lucas can make the films exactly as Lucas envisions them without artistic compromises. True to his word, Lucas walked away from Star Wars and the Prequel Trilogy remained untouched in his five three-ringed notebooks for well over a decade.
1994 -- Front page of Daily Variety announced that: "Lucas The Loner Returns To Wars." Lucas tells Rex Weiner of Variety that work will soon begin on the long-awaited Prequel Trilogy. The first prequel is tentatively scheduled for a 1998 release. Lucas states that the recent advances in computer generated imaging (CGI) as seen in Jurassic Park and Casper make the filming of the new trilogy both inexpensive and technically possible. Also, Lucas states that he will direct Episode 1. This is the first time that Lucas has directed a film since the original Star Wars. The new CG technology will create a new way to make films where a writer's imagination can be fully released without restrictions. With the level of computer animation technology available, Lucas believes that he is now free to write more interesting and complex Star Wars scripts.
1995 -- Lucas is hard at work on writing the screenplay for Episode 1 . . . The Young Indiana Jones Chronicles helps pave the way for the Prequel Trilogy. ILM develops the technology and means to create virtual environments for this landmark television series. ILM packs each hour long episode with hundreds of special effects sequences at very reasonable prices. With the new digital effects techniques developed for Young Indy, Lucas believes that he will be able to make the Prequel Trilogy very economically: about $ 60 - 70 million per film.
May 1996 -- Lucasfilm announces that it has signed a deal (reportedly worth $ 2 billion) with Pepsico (Pepsi, Pizza Hut, KFC, Taco Bell and Frito Lay) for movie tie-ins related to the new Prequel Trilogy. Variety called this "the largest in size and scope the entertainment industry has ever seen."
Late 1996 -- Lucasfilm announces that pre-production on Episode 1 has begun.
September 1996 -- Lucasfilm announces that Leavesdon Studios in Britain will be used to film portions of Episode 1.
Late 1996 -- ILM celebrates its twentieth anniversary.
November 1996 -- Lucasfilm announces that ILM is developing revolutionary computer software that will be used to create the 2000-plus effects sequences that will be seen in Episode 1.
1997 -- Fans learn that Ewan McGregor will play the role of the younger Obi-Wan Kenobi and Liam Neeson will play the role of a venerable Jedi Knight. Natalie Portman won the pivotal role of the young Queen while Samuel L. Jackson will appear as a Jedi Master in Episode 1.
September 6, 1997 -- The first phase of principle photography for Episode 1 ends.
April 1998 -- Lucasfilm announces that 20th Century Fox has won the rights to release the Prequel Trilogy. Fox is rumored to receive only a small distribution fee and will not share in the box-office gross. Fox had lost the right to future Star Wars films when Rupert Murdoch bought the studio in the mid-1980's. Fox' contract with Lucas had a "key man" clause that terminated their rights to future Star Wars films if the studio were acquired by new owners.
While some believe that in 100 years Star Wars will be a religion, the humble Lucas states that one day Star Wars "will be nothing more than a pretty minor footnote in the pop culture of the 1970s and 1980s."
starwars.com announces that Episode 1 will be released in North America on Friday, May 21, 1999.
September 1998 -- starwars.com announces that Episode 1 will be subtitled The Phantom Menace (TPM). This subtitle is presumably inspired by the old Republic movie serials that Lucas grew up watching.
November 1998 -- starwars.com announces that TPM's first teaser trailer will be sneak previewed in 200 of the nation's most state-of-the-art movie houses. The trailer is subsequently released in cineplexes nationwide and is broadcast in full length on many TV outlets such as Entertainment Tonight, Hard Copy, CNN, etc. Lucas later states on starwars.com that he is overwhelmed by the phenomenal response that the fans had after viewing the first trailer.
1999 -- George Lucas announces that he will probably direct Episode 2 and has begun to more fully "develop" the story for Episode 2.
January 1999 -- Lucasfilm's promotion of TPM remains low key to avoid over-hyping the newest Star Wars film.
February 1999 -- In the Star Wars Insider, Rick McCallum states that Lucasfilm will release a more "traditional" movie trailer by March or April 1999.
March 12, 1999 -- Lucasfilm releases the second TPM promotional trailer.
First Week of May 1999 -- Lucas shows The Phantom Menace (TPM) to theater owners.
May 16, 1999 -- TPM is exhibited in several cities to raise money for children's charities.
May 19, 1999 -- TPM makes its theatrical debut in North America and breaks many box-office records.
Many diverse, "insider" sources divulged snippets from the actual script of The Phantom Menace. It became evident from these leaks that TPM will be very similar to A New Hope as Lucas had earlier promised. While Obi-Wan Kenobi serves the role of a venerable Jedi Knight who introduces the young Luke Skywalker to the ways of the Jedi, Qui-Gon Jinn serves as a venerable Jedi Knight who introduces the young Anakin Skywalker to the ways of the Jedi.
Meanwhile, while Han Solo served as the wise-cracking renegade in ANH, Obi-Wan Kenobi acts as a wise-cracking renegade in the first prequel. Just as Princess Leia is rescued from the bad guys in ANH, Queen Amidala (Leia and Luke's future mom) is rescued from the bad guys at the beginning of TPM. Likewise, R2-D2 and C-3PO reprise their roles from the first film. R2 helps the heroes when needed while C-3PO serves as comic relief in his brief appearance.
Just as the cheif villain in ANH was named "Darth," we learn that the chief bad guys of TPM are named "Darth." There are actually two Darths in TPM: Darth Maul and Darth Sidious. While the exploits of Luke Skywalker are key to the defeat of the death star, the exploits of Anakin Skywalker are key in Naboo's defeat of the Trade Federation's fighters. Hence, there are many similarities between the first Star Wars film - Episode 4: A New Hope -and the newest one - Episode 1: The Phantom Menace.
In an interview with Time Magazine, Lucas states that: "There was a cinematic innovation in the first Star Wars film that made people say, 'Gee, I'd never seen that before. I have the opportunity to do that again with the prequels. The fun part for me is to say, 'You want me to come back and do that for you? I can do that. I'll do it. Here."
2000 -- Filming begins on Episode 2 with the older Anakin Skywalker played by little-known actor Hayden Christensen.
May 2002 -- Episode 2 opened in theaters on May 16, 2002. The film earned $ 110 million in its first four days of release in North America.
June 2003 -- Starwars.com opens its special Episode 3 content called Hyperspace. Subscription fee is $ 19.95 per year.
July 2003 -- George Lucas is scheduled to begin filming Star Wars Episode 3 in Sydney, Australia.
November 7, 2003 -- The Star Wars Clone Wars Epic Micro Series debuts on the Cartoon Network.
February 2004 -- Lucasfilm announces that the classic Star Wars trilogy (Episodes 4 to 6) will be released on DVD on September 21, 2004.
April 2004 -- Lucasfilm reveals that Episode 3 will be released in cinemas in North America on Thursday, May 19, 2005.
July 2004 -- Lucasfilm announces that the title of Episode 3 will be Revenge of the Sith.
September 21, 2004 -- Lucasfilm finally releases the classic Star Wars trilogy on DVD.
November 4, 2004 -- The first movie teaser trailer for Revenge of the Sith debuts at starwars.com Hyperspace.
November 5, 2004 -- The Revenge of the Sith trailer is previewed with the Pixar film called The Incredibles.
November 8, 2004 -- starwars.com debuts the Revenge of the Sith trailer for the general public.
March 10, 2005 -- Lucasfilm debuts the second Revenge of the Sith trailer on the Fox TV Network. Trailer appears with the computer-animated movie called Robots beginning Marth 11. Available to all fans at starwars.com on March 14.
May 19, 2005 -- Revenge of the Sith opens at theaters all around the world to record box-office grosses
The answer, perhaps surprisingly, is that your opening line is really not very important, and all this striving for originality and wit is a wasted effort. The fact is that conversational 'openers' are rarely original, witty or elegant, and no-one expects them to be so. The best 'openers' are, quite simply, those which can easily be recognised as 'openers' - as attempts to start a conversation.
The traditional British comment on the weather ("Nice day, isn't it?" or "Doesn't feel much like summer, eh?", etc.) will do just fine, as everyone knows that it is a conversation-starter. The fact that these comments are phrased as questions, or with a rising 'interrogative' intonation, does not mean that the speaker is unsure about the quality of the weather and requires confirmation: it means that the speaker is inviting a response in order to start a conversation.
In Britain, it is universally understood that such weather-comments have nothing to do with the weather, and they are universally accepted as conversation-starters. Saying "Lovely day, isn't it?" (or a rainy-day equivalent) is the British way of saying "I'd like to talk to you; will you talk to me?"
A friendly response , including positive body language, means "Yes, I'll talk to you"; a monosyllabic response (accompanied by body-language signalling lack of interest) means "No, I don't want to talk to you", and no verbal response at all, with body language signalling annoyance or dislike, means "Shut up and go away".
If you are indoors - say at a party or in a bar - and nowhere near a window, some equally innocuous general comment on your surroundings ("Bit crowded, isn't it?", "Not very lively here tonight, eh?") or on the food, drink, music, etc., will serve much the same purpose as the conventional weather-comment. The words are really quite unimportant, and there is no point in striving to be witty or amusing: just make a vague, impersonal comment, either phrased as a question or with a rising intonation as though you were asking a question.
This formula - the impersonal interrogative comment - has evolved as the standard method of initiating conversation with strangers because it is extremely effective. The non-personal nature of the comment makes it unthreatening and non-intrusive; the interrogative (questioning) tone or 'isn't it?' ending invites a response, but is not as demanding as a direct or open question.
There is a big difference between an interrogative comment such as "Terrible weather, eh?" and a direct, open question such as "What do you think of this weather?". The direct question demands and requires a reply, the interrogative comment allows the other person to respond minimally, or not respond at all, if he or she does not wish to talk to you.
In some social contexts - such as those involving sports, hobbies, learning, business or other specific activities - the assumption of shared interests makes initiating conversation much easier, as your opening line can refer to some aspect of the activity in question. In some such contexts, there may even be a ritual procedure to follow for initiating conversation with a stranger. At the races, for example, anyone can ask anyone "What's your tip for the next?" or "What do you fancy in the 3.30?", a ritual opening which effectively eliminates all the usual awkwardness of approaching a stranger.
Unless the context you are in provides such a convenient ritual, use the IIC (Impersonal Interrogative Comment) formula. This formula can be adapted to almost any situation or occasion. Just make a general, impersonal comment on some aspect of the event, activity, circumstances or surroundings, with a rising intonation or 'isn't it?' type of ending. Your target will recognise this as a conversation-starter, and his or her response will tell you immediately whether or not it is welcomed.
There are of course degrees of positive and negative response to an IIC. The elements you need to listen for are length, personalising and questioning. As a general rule, the longer the response, the better. If your target responds to your comment with a reply of the same length or longer, this is a good sign. A personalised response, i.e. one including the word 'I' (as in, for example, "Yes, I love this weather") is even more positive. A personalised response ending in a question or interrogative (rising) intonation (as in "I thought it was supposed to clear up by this afternoon?") is even better, and a personalised response involving a personalised question, i.e. a response including the words 'I' and 'you', is the most positive of all.
So, if you say "Nice day, isn't it?" and your target replies "Yes, I was getting so tired of all that rain, weren't you?", you are definitely in with a chance. Note that there is nothing original, witty or clever about the above exchange. You may even be inclined to dismiss it as polite, boring and insignificant. In fact, a great deal of vital social information has been exchanged.Dan [Zhaoyi 但昭义, renowned piano teacher of world-class yound artists such as Yundi Li and Sa Chen], who is 65, grew up in the western hinterlands near the city of Chongqing. His father, a physician who loved music, acquired a piano, a rare possession, but Dan showed little inclination to play.
"We had a set time to practice. I would secretly turn the clock ahead so I could play less time," Dan said, laughing.
(http://www.dfw.com/mld/dfw/entertainment/special_packages/van_cliburn/11711353.htm)
